Inheritance and Innovation of Lanjiefu Culture in the Digital Economy: A Semiotic and Design-Based Perspective
Main Article Content
Abstract
Lanjiefu is a traditional folk practice in Wenzhou that represents a complex system of ritual, visual symbolism, and social relations that sustains local identity and collective memory. In the digital era, cultural heritage faces increasing pressure from globalization, technological change, and shifting social structures. Although digital tools offer new opportunities for preservation and dissemination, they also risk reducing cultural expressions to decontextualized visual content. Existing studies on Lanjiefu and similar traditions tend to emphasize either documentation and preservation or commercialization and design innovation. However, these approaches often lack a systematic framework for interpreting cultural meanings and for guiding their appropriate translation into contemporary contexts. This study addresses this gap by examining how core symbolic elements of Lanjiefu can be preserved and adapted without losing their embedded cultural significance. A qualitative case study approach was employed, using field observations, semi-structured interviews, and focus group discussions with 53 participants. Data were analyzed through thematic and semiotic analysis, complemented by a design-based framework. The findings show that Lanjiefu operates as a structured symbolic system and that its transmission has weakened due to economic pressures, time constraints, and changes in the digital lifestyle. The study proposes a distinction between symbolic extraction and superficial borrowing, and positions digital technology as a supportive layer rather than a primary driver. The research aims to identify core symbolic elements, explain transmission challenges, and develop a framework for context-sensitive cultural translation. The study concludes that sustainable cultural inheritance requires integration of semiotic interpretation, design application, and community-based practices.
Article Details
Section

This work is licensed under a Creative Commons Attribution 4.0 International License.
How to Cite
References
Burri, M. (2010). Digital technologies and traditional cultural expressions: A positive look at a difficult relationship. International Journal of Cultural Property, 17(1), 33–63.
Chang, S. (2025). Little women and transformative girl narrative in China: Translation, adaptation and reception. International Journal of Education and Humanities, 5(3), 415–427.
Chen, H. (2011). Lanjiefu: Locale of creation and imagination of culture with local features. Journal of Wenzhou University, 24(2), 12–17.
Dabing, Y. (2011). History, characteristics and contemporary renaissance of Lanjiefu in Wenzhou. Journal of Wenzhou University, 24(2), 3–11.
Deng, X., & Wang, Z. (2025). The research progress on cultural geography: Theoretical foundations, core content, and practical applications. Geographical Research Bulletin, 4, 414–440.
Han, J. (2025). Research on data-driven digital inheritance system of intangible cultural heritage. In Proceedings of the 2025 International Conference on Computers, Information Processing and Advanced Education (CIPAE) (pp. 810–815). IEEE.
Huang, J. (2025). Cultural inheritance and innovation path of digital art: Integration and development of computer-assisted art creation and digital media technology. Journal of Combinatorial Mathematics and Combinatorial Computing, 127, 2455–2470.
Koshelieva, O., Tsyselska, O., Kravchuk, O., Buriak, B., & Miatenko, N. (2023). Digital transformation in culture and art: Exploring the challenges, opportunities and implications in cultural studies. Research Journal in Advanced Humanities, 4(3), 41–55.
Lazzeretti, L., Oliva, S., Innocenti, N., & Capone, F. (2025). Rethinking culture and creativity in the digital transformation. European Planning Studies, 33(5), 671–679.
Lu-lu, W., Ghani, D. B. A., & Ze-lin, L. (2024). Inheritance and innovation of Lanjiefu culture in the age of digital economy. Asia Pacific Journal of Business, Humanities and Education, 9(2), 130–141.
Lu-lu, W., Mohamed, F. N., & Ze-lin, L. (2025). Lanjiefu in Wenzhou City under the perspective of digital humanities: Constructing a knowledge graph to empower the cultural resource base. International Journal of Education and Humanities, 5(3), 404–414.
Ma, M. (2026). Research on the construction and communication strategies of rural intangible cultural heritage brands. In Proceedings of the 5th International Conference on Culture, Design and Social Development (CDSD 2025) (pp. 89–94). Atlantis Press.
Poddar, A. K. (2024). Impact of global digitalization on traditional cultures. The International Journal of Interdisciplinary Social and Community Studies, 20(1), 209.
Rab, A. (2007). Digital culture–Digitalised culture and culture created on a digital platform. In Information society: From theory to political practice (pp. 1–24).
Rani, A. (2018). Digital technology: Its role in art creativity. Journal of Commerce and Trade, 13(2), 61–65.
Wang, L. L., Dahlan Bin Abdul Ghani, & Liu, Z. L. (2024). Innovative design of Lanjiefu cultural and creative products in the context of cross-border integration. International Journal of Academic Research in Progressive Education and Development, 13(3), 2024–2034. https://doi.org/10.6007/IJARPED/v13-i3/22504
Wang, T., & Wang, L. (2025). Building and promoting local folk cultural and creative brands: A case study of Lan Jiefu.
Wu, J., Guo, L., Jiang, J., & Sun, Y. (2021). The digital protection and practice of intangible cultural heritage crafts in the context of new technology. In E3S Web of Conferences (Vol. 236, p. 05024). EDP Sciences.
Xiaojuan, J. (2023). Technology and culture in the digital era. Social Sciences in China, 44(1), 4–24.